I want to introduct something about coin matched pearl. Size:13-14mm,14-15mm Color:white,natural Degree:AAA Luster:Good coin matched pea For the Emerald Necklace of Greater Cleveland, see Cleveland Metroparks. Boston Public Garden, the second "jewel" of the Emerald Necklace The Emerald Necklace consists of an 1,100-acre (4.5km2) chain of parks linked by parkways and waterways in Boston and Brookline, Massachusetts. The Emerald Necklace includes: Boston Common Boston Public Garden Commonwealth Avenue Mall Back Bay Fens The Fenway The Riverway Olmsted Park Jamaica Pond The Jamaicaway Arnold Arboretum The Arborway Franklin Park The parks are almost contiguous with one another and are irregularly-shaped according to whatever land was available at the time of each park area's foundation. From Boston Common to Franklin Park it is approximately seven miles by foot or bicycle through the parks. Several components of the Emerald Necklace pre-date the plan to unite them. Some links of the Emerald Necklace not only offer an opportunity for recreation in a wooded environment, but are also ecologically-important urban wilds that provide nesting places for migratory birds and improve the air quality of the city. Contents 1 History 2 Shape 3 Jurisdiction 4 Recent improvement 5 Future plans 6 The Conservancy 7 Other areas 8 Sites along the Necklace 9 References 10 External links // History Ward's Pond in Olmsted Park This linear system of parks and parkways was designed by Frederick Law Olmsted to connect the Boston Common (dating from the colonial period) and Public Garden (1837) to the great country estate known as Franklin Park. The project began around 1878 with the effort to clean up and control the marshy area which became the Back Bay and the Fens. In 1880, Olmsted proposed that the Muddy River, which flowed from Jamaica Pond into the Fens, be included in the park plan. The current was dredged into a winding stream and directed into the Charles River. The corridor encompassing the river became a linear park. Olmsted's vision of a linear park of walking paths along a gentle stream connecting numerous small lakes was complete by the turn of the century. Shape As implied by the name "Emerald Necklace," these parks do not proceed in a straight line but rather form a sort of "L" shape. The Emerald Necklace begins near Boston's Downtown Crossing, proceeds along the Boston/Brookline border, then curves back into Jamaica Plain. At the south border of Arnold Arboretum, at the point most distant from its beginning, the Emerald Necklace is in Roslindale. Olmsted's original plan called for a "U" shaped necklace which terminated at Boston Harbor. This final link, The Dorchesterway, was never realized. Jurisdiction Arnold Arboretum is leased to and managed by Harvard University. The west banks of Olmsted Park and the Riverway are under the jurisdiction of Brookline. The rest of the Emerald Necklace is maintained by the City of Boston and the Department of Conservation and Recreation. Recent improvement Fens from footbridge opposite Forsyth Dental building, looking north. Prudential building in background Over the past decade, almost $60 million in capital expenditures for parks and waterway improvements have been made in the Emerald Necklace by the City of Boston and the Town of Brookline. These efforts have included improved pathways, plantings and signage, bridge repairs, and the restoration of boardwalks and buildings. In some areas (especially Franklin Park) these efforts have only begun to address the over 50 years of neglect the Emerald Necklace has suffered. Future plans The Emerald Necklace Parks Master Plan was completed in 1989, and updated in 2001. The parks have long been subject to flooding from the Muddy River. The Muddy River Restoration Project will dredge contaminated sediments and implement other major structural improvements, unburying the river and improving its integrity, appearance, and flood control capabilities. The Conservancy The Emerald Necklace Conservancy was established in 1996 to support and build upon public sector initiatives. A not-for-profit organization, the Emerald Necklace Conservancy is a public-private partnership composed of community, business government and institutional representatives, residential neighbors, representatives of Necklace-related associations and interested citizens. Other areas There are a few other green areas in the vicinity of the Emerald Necklace that are never considered a part of it but are worth mentioning: Charles River Esplanade is not contiguous with the rest of the Necklace but is not far from Commonwealth Ave and is a scenic greenspace. 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Thursday, July 30, 2009
Emerald Necklace for emerald necklace jewelry
Embroidery for chinese cross stitch
I want to introduct something about Eames Molded Plywood Lounge Chair. Walnut frame with pony skin Sofa,american style sofa,Le Corbusier sofa LC2, LC3, Le Corbusier chaise lounge LC4, Barcelona chair and ottoman, Barcelona day bed, Charles Eames lounge chair and ottoman, Eames soft pad alum office chairs, Isamu Noguchi coffee table, Isamu Noguchi sofa, Eileen Gray adjustable end table, Eileen Gray day bed, Eileen Gray bench ball chairs, egg chairs, swan chairs, Florence knoll sofas, nelson bench, marshmallow sofas, Poul Kjaerholm chaise lounges, PK22 chairs in leather or rattan, Bibendium chairs, Brno chairs, Mies Van Der Rohe, Barcelona tables, Eames plywood tables, Eames plywood lounge chairs, and Eames plywood dining chairs, ball chairs, buble chairs, pony gross, Eero Saarinen tables, Parabel gross, panton chairs, tulip chairs, egg chairs, swan chairs, marble chairs and tulip tables Traditional embroidery in chain stitch on a Kazakh rug, contemporary. Embroidery is the art or handicraft of decorating fabric or other materials with needle and thread or yarn. Embroidery may also incorporate other materials such as metal strips, pearls, beads, quills, and sequins. A characteristic of embroidery is that the basic techniques or stitches of the earliest workhain stitch, buttonhole or blanket stitch, running stitch, satin stitch, cross stitchemain the fundamental techniques of hand embroidery today. Machine embroidery, arising in the early stages of the Industrial Revolution, mimics hand embroidery, especially in the use of chain stitches, but the "satin stitch" and hemming stitches of machine work rely on the use of multiple threads and resemble hand work in their appearance, not their construction. Contents 1 Origins 2 Classification 3 Materials 4 Machine 5 Notes 6 References 7 External links // Origins Detail of an embroidered silk gauze ritual garment. Rows of even, round chain stitches are used both for outline and to fill in color. From a 4th century BC, Zhou era tomb at Mashan, Hubei province, China. The origins of embroidery are lost in time, but examples survive from ancient Egypt, Iron Age Northern Europe and Zhou Dynasty China. Examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period (5th-3rd century BC). The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. In a garment from Migration period Sweden, roughly 300700 CE, the edges of bands of trimming are reinforced with running stitch, back stitch, stem stitch, tailor's buttonhole stitch, and whipstitching, but it is uncertain whether this work simply reinforces the seams or should be interpreted as decorative embroidery. The remarkable stability of basic embroidery stitches has been noted: It is a striking fact that in the development of embroidery ... there are no changes of materials or techniques which can be felt or interpreted as advances from a primitive to a later, more refined stage. On the other hand, we often find in early works a technical accomplishment and high standard of craftsmanship rarely attained in later times. English cope, late 15th or early 16th century. Silk velvet embroidered with silk and gold threads, closely laid and couched. An example of fine English embroidery. Art Institute of Chicago textile collection. Elaborately embroidered clothing, religious objects, and household items have been a mark of wealth and status in many cultures including ancient Persia, India, China, Japan, Byzantium, and medieval and Baroque Europe. Traditional folk techniques are passed from generation to generation in cultures as diverse as northern Vietnam, Mexico, and eastern Europe. Professional workshops and guilds arose in medieval England. The output of these workshops, called Opus Anglicanum or "English work," was famous throughout Europe. The manufacture of machine-made embroideries in St. Gallen in eastern Switzerland flourished in the latter half of the 19th century. Classification Japanese free embroidery in silk and metal threads, contemporary. Embroidery can be classified according to whether the design is stitched on top of or through the foundation fabric, and by the relationship of stitch placement to the fabric. In free embroidery, designs are applied without regard to the weave of the underlying fabric. Examples include crewel and traditional Chinese and Japanese embroidery. Cross-stitch counted-thread embroidery. Tea-cloth, Hungary, mid-20th century Counted-thread embroidery patterns are created by making stitches over a predetermined number of threads in the foundation fabric. Counted-thread embroidery is more easily worked on an even-weave foundation fabric such as embroidery canvas, aida cloth, or specially woven cotton and linen fabrics although non-evenweave linen is used as well. Examples include needlepoint and some forms of blackwork embroidery. Hardanger, a whitework technique. Contemporary. In canvas work threads are stitched through a fabric mesh to create a dense pattern that completely covers the foundation fabric. Traditional canvas work such as bargello is a counted-thread technique. Since the 19th century, printed and hand painted canvases where the painted or printed image serves as color-guide have eliminated the need for counting threads. These are particularly suited to pictorial rather than geometric designs deriving from the Berlin wool work craze of the early 19th century. 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Pixel density for 3 Inch LCD
I want to introduct something about keyboard, keypad,Laptop Keyboard,notebook keyboard,key board,keyboards,keyboard for laptop. Terms of Payment: T/T,Western Union Minimum Order: 800 Piece/Pieces We have US layout keyboars for below laptop models. LAPTOP KEYBOARD MODEL STOCK QNTY TOSHIBA A10/A15/A30/A50/A65/M30/M35/M40/M50/M55/2400/P20/P25/P30/A3/A4/S2 etc. 300 1800/2650/S4600/S2665/6500 etc. 500 TOSHIBA M18/M19 100 L 10 100 L100 100 sat. M200/L200/ Qosmio F45 white color 200 white satellite A200 300 silver color satellit M60 17' 100 black color sat. M300 series 100 silver color M20/TE2100 100 L40 100 SAMSUNG P28/P29/ 300 P40/P41( UK) 500 P30 300 X05/X10/X15 OEM X20/X25/X30/X50 Q20/Q25 OEM 100 Q30 OEM 100 R50 UK 500 M70 (with 19'LCD model) (Russion ) 100 M40 200 X1 (Rus (Redirected from Pixels per inch) "Ppi" redirects here. For other uses, see PPI. Pixels per inch (PPI) or pixel density is a measurement of the resolution of devices in various contexts; typically computer displays, image scanners or digital camera image sensors. PPI can also describe the resolution, in pixels, of an image to be printed within a specified space. For instance, a 100x100-pixel image that is printed in a 1-inch square could be said to have 100 pixels per inch, regardless of the printer's DPI capability. Used in this way, the measurement is only meaningful when printing an image. Good quality photographs usually require 300 pixels per inch when printed.[citation needed] The square shown above is 200 pixels by 200 pixels. To determine a monitor's PPI, measure the width and height, in inches, of the square as displayed on a given monitor. Dividing 200 by the measured width or height gives the monitor's horizontal or vertical PPI, respectively, at the current screen resolution. Contents 1 Computer displays 1.1 Calculation of monitor PPI 2 Scanners and cameras 3 References 4 See also 5 External links // Computer displays The PPI of a computer display is related to the size of the display in inches and the total number of pixels in the horizontal and vertical directions. This measurement is often referred to as dots per inch, though that measurement more accurately refers to the resolution of a computer printer. For example, a 15 inch display, whose dimensions work out to 12 inches wide by 9 inches high, capable of a maximum 1024 by 768 (or XGA) pixel resolution can display around 85 PPI in both the horizontal and vertical directions. This figure is determined by dividing width (or height) of the display area in pixels, by width (or height) of the display area in inches. It is possible for a display's horizontal and vertical PPI measurements to be different. The apparent PPI of a monitor depends upon the screen resolution (that is, number of pixels) and the size of the screen in use; a monitor in 800 by 600 mode has a lower PPI than the same monitor at 1024 by 768 mode. The dot pitch of a computer display determines the absolute limit of possible pixel density. Typical circa-2000 cathode ray tube or LCD computer displays range from 67 to 130 PPI. The IBM T220/T221 LCD monitors marketed from 2001 to 2005 reached 204 PPI. The Toshiba Port G900 Windows Mobile 6 Professional phone, launched in mid 2007, came with a 3" WVGA LCD having "print-quality" pixel density of 313 PPI. In January 2008, Kopin Corp. announced a 0.44" SVGA LCD with an astonishing pixel density of 2272 PPI. According to the manufacturer, the LCD was designed to be optically magnified to yield a vivid image and therefore expected to find use in high-resolution eye-wear devices. It has been observed that the unaided human eye can generally not differentiate detail beyond 300 PPI, however this figure depends both on the distance between viewer and image, and their visual acuity. Modern displays having upwards of 300 PPI pixel densities, combined with their non-reflective, bright, evenly lit and interactive display areas may have vastly more appeal to users than the best prints available on paper. Such high pixel density display technologies would make supersampled antialiasing obsolete, enable true WYSIWYG graphics and further, pave the way towards the elusive "paperless office" era. For perspective, such a device at 15" screen size would have to display more than four Full HD screens (or WQUXGA resolution). The pixel density is useful for calibrating a monitor with a printer; software can use the PPI measurement to display a document at "actual size" on the screen. Calculation of monitor PPI Theoretically, PPI can be calculated from knowing diagonal size of screen in inches and resolution in pixels (width and height). This can be done in two steps: 1. Calculate diagonal resolution in pixels using the Pythagorean theorem: 2. Calculate PPI: where dp is diagonal resolution in pixels, wp is width resolution in pixels, hp is height resolution in pixels and di is diagonal size in inches. (This is the number advertised as the size of the display.) For example, for a 20" screen with a 1680x1050 resolution, we get a 99.06 PPI. Note that these calculations are not very precise. Frequently, screens advertised as "X inch screen" can have their real physical dimensions of viewable area differ, for example: HP LP2065 20" monitor 20.1" viewable area Also note, that this is not the method followed on List of displays by pixel density, where the total screen area (length*width) is considered, instead of just diagonal length. 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Thomas Weld (cardinal) for clifford alarm system
I want to introduct something about UNIVERSYS - Prepaid / Scratch Card Personalization System. UniversysFULL INFORMATION - PLEASE LOOK HERE: http://www.kba-metronic.com/en/home/produkte/uv-offsetdruck-cd-dvd/filestore/met,file,63dfea55-b4df-490b-bdbe-cb582ae77bd3,en.pdfThe universys, a fully automatic card transport system, is especially designed for the personalisation of single cards. It combines both coding with security technology - separation, rotation, ink jet, hot stamping or label and stacking modules with cameras. Thus it meets a wide variety of personalisation requirements.The range of application covers addresses, personal data, pin numbers, barcodes, serial numbers, expiry data as well as scratch-off strips covering secret data. Integrated cameras guarantee safe and correct data handling. Due to its modular, tailor-made design the universys is perfectly suited for the individualization of tags, membership cards, prepaid cards, magnetic stripe and chip cards, etc.The universys standard model comprises the following modules:Separation module Separates ISO sta ndard cards by frictio Thomas Cardinal Weld Thomas Weld (22 January 1773 19 October 1837) was an English Roman Catholic and cardinal. Life Weld was born in London on 22 January 1773, was the eldest son of Thomas Weld of Lulworth Castle, Dorset, by his wife Mary, eldest daughter of Sir John Stanley Massey Stanley of Hooton, who belonged to the elder and Catholic branch of the Stanley family, now extinct. He was educated at home under Charles Plowden. He supported religious communities that were driven into England by the French Revolution. He agreed with his father in giving the banished Jesuits the mansion of Stonyhurst. The Trappist nuns were received at Lulworth; while the Poor Clares from Gravelines and the Visitandines were also special objects of his bounty. George III, in his sojourns at Weymouth, used to visit Lulworth, and always expressed the greatest regard for the family. On 14 June 1796 Weld married, at Ugbrooke, Lucy Bridget, second daughter of Thomas Clifford of Tixall, fourth son of Hugh, third Lord Clifford. Their only issue was Mary Lucy, born at Upwey, near Weymouth, on 31 January 1799. The loss of his wife at Clifton on 1 June 1815, and the subsequent marriage of his only child to her second cousin, Hugh Charles Clifford (afterwards seventh Baron Clifford), on 1 September 1818, left him at liberty to embrace the ecclesiastical state, and to renounce the family property to his next brother, Joseph Weld (see below). He placed himself under the direction of his old friend, the celebrated Abb Carron, and Mgr. Hyacinthe-Louis de Quen, Archbishop of Paris, ordained him priest on 7 April 1821. On 20 June 1822 he began to assist the pastor of the Chelsea mission, and after some time he was removed to Hammersmith. The Holy See having nominated him coadjutor to Alexander Macdonell (17621840), Bishop of Kingston, Ontario, the ceremony of Weld's consecration as titular Bishop of Amyclae, a town in the Peloponnese, was performed at St. Edmund's College, Ware, by Bishop William Poynter on 6 August 1826. Circumstances, however, delayed his departure for Canada. His daughter being in failing health, he accompanied her and her husband to Italy, and shortly after his arrival at Rome, Cardinal Alboni, on 19 January 1830, announced to him that Pope Pius VIII had decided to honour him with the purple. He was admitted into the College of Cardinals on 15 March 1830, and on this occasion a Latin ode was composed and published to Dominic Gregorj. His daughter died at Palo on 15 May 1831, and was buried on 18 May in the church of Marcellus at Rome, from which he derived his title. On his elevation to the Sacred College he received assurances from persons of high influence and dignity in England that his nomination had excited no jealousy, but on the contrary had given general satisfaction. His apartments in the Odescalchi Palace were splendidly furnished, and periodically filled by the aristocracy of Rome, native and foreign, and by large numbers of his fellow-countrymen He died on 19 April 1837, and his remains were deposited in the church of Santa Maria Aquiro. The funeral oration, delivered by Nicholas (afterwards Cardinal) Wiseman, has been published. His brother, Joseph Weld (17771863), third son of Thomas Weld, was born on 27 January 1777. He received the exiled Royal family of France at Lulworth in August 1830, the king and his suite remaining there for some days, until their removal to Holyrood House. He was the owner of the "Alarm", "Arrow" and "Lulworth" yachts, which he navigated himself until very late in life, and, having a practical knowledge and a real liking for the sea, he was always very fortunate in the construction and sailing of his vessels. He died at Lulworth Castle on 19 October 1863. Notes and references ^ Rome, 1830, 4to ^ Wiseman, Recollections of the Four Last Popes, 2nd edn., p. 246 ^ London, 1837, 8vo Sources Categories: 1773 births | 1837 deaths | English cardinals | English Roman Catholic priests | People from Dorset Hidden categories: Wikipedia articles incorporating text from the Dictionary of National Biography(and so on) To get More information , you can visit some products about microphone for computer, motor small, used computer desktop, car electrical system, exhaust fan system, nissan navigation system, double din system, outdoor security system, elevator control system, pa speaker system, . 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