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Embroidery is the art or handicraft of decorating fabric or other materials with needle and thread or yarn. Embroidery may also incorporate other materials such as metal strips, pearls, beads, quills, and sequins. A characteristic of embroidery is that the basic techniques or stitches of the earliest workhain stitch, buttonhole or blanket stitch, running stitch, satin stitch, cross stitchemain the fundamental techniques of hand embroidery today. Machine embroidery, arising in the early stages of the Industrial Revolution, mimics hand embroidery, especially in the use of chain stitches, but the "satin stitch" and hemming stitches of machine work rely on the use of multiple threads and resemble hand work in their appearance, not their construction. Contents 1 Origins 2 Classification 3 Materials 4 Machine 5 Notes 6 References 7 External links // Origins Detail of an embroidered silk gauze ritual garment. Rows of even, round chain stitches are used both for outline and to fill in color. From a 4th century BC, Zhou era tomb at Mashan, Hubei province, China. The origins of embroidery are lost in time, but examples survive from ancient Egypt, Iron Age Northern Europe and Zhou Dynasty China. Examples of surviving Chinese chain stitch embroidery worked in silk thread have been dated to the Warring States period (5th-3rd century BC). The process used to tailor, patch, mend and reinforce cloth fostered the development of sewing techniques, and the decorative possibilities of sewing led to the art of embroidery. In a garment from Migration period Sweden, roughly 300700 CE, the edges of bands of trimming are reinforced with running stitch, back stitch, stem stitch, tailor's buttonhole stitch, and whipstitching, but it is uncertain whether this work simply reinforces the seams or should be interpreted as decorative embroidery. The remarkable stability of basic embroidery stitches has been noted: It is a striking fact that in the development of embroidery ... there are no changes of materials or techniques which can be felt or interpreted as advances from a primitive to a later, more refined stage. On the other hand, we often find in early works a technical accomplishment and high standard of craftsmanship rarely attained in later times. English cope, late 15th or early 16th century. Silk velvet embroidered with silk and gold threads, closely laid and couched. An example of fine English embroidery. Art Institute of Chicago textile collection. Elaborately embroidered clothing, religious objects, and household items have been a mark of wealth and status in many cultures including ancient Persia, India, China, Japan, Byzantium, and medieval and Baroque Europe. Traditional folk techniques are passed from generation to generation in cultures as diverse as northern Vietnam, Mexico, and eastern Europe. Professional workshops and guilds arose in medieval England. The output of these workshops, called Opus Anglicanum or "English work," was famous throughout Europe. The manufacture of machine-made embroideries in St. Gallen in eastern Switzerland flourished in the latter half of the 19th century. Classification Japanese free embroidery in silk and metal threads, contemporary. Embroidery can be classified according to whether the design is stitched on top of or through the foundation fabric, and by the relationship of stitch placement to the fabric. In free embroidery, designs are applied without regard to the weave of the underlying fabric. Examples include crewel and traditional Chinese and Japanese embroidery. Cross-stitch counted-thread embroidery. Tea-cloth, Hungary, mid-20th century Counted-thread embroidery patterns are created by making stitches over a predetermined number of threads in the foundation fabric. Counted-thread embroidery is more easily worked on an even-weave foundation fabric such as embroidery canvas, aida cloth, or specially woven cotton and linen fabrics although non-evenweave linen is used as well. Examples include needlepoint and some forms of blackwork embroidery. Hardanger, a whitework technique. Contemporary. In canvas work threads are stitched through a fabric mesh to create a dense pattern that completely covers the foundation fabric. Traditional canvas work such as bargello is a counted-thread technique. Since the 19th century, printed and hand painted canvases where the painted or printed image serves as color-guide have eliminated the need for counting threads. These are particularly suited to pictorial rather than geometric designs deriving from the Berlin wool work craze of the early 19th century. In drawn thread work and cutwork, the foundation fabric is deformed or cut away to create...(and so on) To get More information , you can visit some products about massage table chair, wooden kids chair, wood dining chair, folding bamboo chairs, outdoor table chair, rolling laptop desk, metal kitchen chairs, swivel club chair, cheap massage chair, outdoor plastic chairs, . The Eames Molded Plywood Lounge Chair products should be show more here!
Thursday, July 30, 2009
Embroidery for chinese cross stitch
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