Blue Suede Shoes

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For other uses of Blue Suede Shoes, see Blue Suede Shoes (disambiguation).
鎻僱ue Suede Shoes
Single by Carl Perkins
B-side
Honey Don't
Released
January 1, 1956
Format
7" single
Recorded
December 19, 1955
Genre
Rock and roll
Length
2:14
Label
Sun Records
Writer(s)
Carl Perkins
Producer
Sam Phillips
Carl Perkins singles chronology
"Gone, Gone, Gone"1955
"Blue Suede Shoes"(1956)
"Tennessee"(1956)
鎻僱ue Suede Shoes
Single by Elvis Presleyfrom the album Elvis Presley
B-side
"Tutti Frutti"
Released
September 8, 1956
Format
7" single
Recorded
January 30, 1956
Genre
Rock and roll
Length
1:58
Label
RCA Records
Writer(s)
Carl Perkins
Producer
Steve Sholes
Elvis Presley singles chronology
"I Want You, I Need You, I Love You"(1955)
"Blue Suede Shoes"(1956)
"I'm Counting on You"(1956)
"Blue Suede Shoes" is a rock and roll standard written and first recorded by Carl Perkins in 1955. The 12-bar blues is considered one of the first rockabilly (rock and roll) records and incorporated elements of blues, country and pop music of the time.
Contents
1 Origin
2 Success of Perkins' Sun Records release
3 Presley and Blue Suede Shoes
4 Other 1956 recordings
5 Legacy
6 Selected list of recorded versions
7 Cultural references
8 Notes
9 External links
//
Origin

Blue suede shoes similar to those that inspired the song
Johnny Cash planted the seed for the song in the fall of 1955, while Perkins, Cash, Elvis Presley, and other Louisiana Hayride acts toured throughout Texas and the South. Cash told Perkins of a black airman whom he had met when serving in the military in Germany. He had referred to his military regulation air shoes as "blue suede shoes." Cash suggested that Carl write a song about the shoes. Carl replied, "I don't know anything about shoes. How can I write a song about shoes?"[1]
When Perkins played a dance on December 4, 1955, he noticed a couple dancing near the stage. The girl was gorgeous, he thought, and the boy wore blue suede shoes. As they danced the boy cautioned his date "don't step on my suedes." Perkins was bewildered that a guy would value shoes over a beautiful girl.[2]
Later that night, while in bed, Perkins began working on a song based on that incident. His first thought was to frame it with a nursery rhyme. He considered, and quickly discarded "Little Jack Horner..." and "See a spider going up the wall...". Then settled on "One for the money..." Leaving his bed and working with his Les Paul guitar, he started with an A chord. After playing five chords while singing "Well, it's one for the money... Two for the show... Three to get ready... Now go, man, go!" and broke into a boogie rhythm.[3] He quickly grabbed a brown paper potato sack and wrote the song down, writing the title out as "Blue Swade, S-W-A-D-E". "I couldn't even spell it right," he later said.[4]
The song was recorded weeks later, and producer Sam Phillips suggested that Perkins's line "go boy go" be changed to "go cat go".
Success of Perkins' Sun Records release
The Sun recording of "Blue Suede Shoes" was released on January 1, 1956. Two copies of the song on 78 rpm records arrived broken. Perkins soon discovered that the song was only available in the newer 7" microgrooved 45 rpm format. Meanwhile, in both Jackson, where Perkins lived, and in Memphis, radio stations were playing the flip side of the record, "Honey Don't." In Cleveland, Ohio, however, disc jockey Bill Randle was featuring "Blue Suede Shoes" prominently on his nightly show, and before January was over, the Cleveland distributor of the record asked Phillips for an additional 25,00 copies of the record.[5]
"Shoes" became the side of choice throughout the South and Southwest. On February 11 it was the #2 single on Memphis charts, was number one the next week, and remained there for the next 3 months. Perkins made four appearances on the Big D Jamboree[6] on radio station KRLD (AM) in Dallas[1] where he played the song every Saturday night, and was booked on a string of one nighters in the Southwest. The Jamboree emanated from the Dallas Sportatorium with about four thousand seats, and it sold out for each of Perkins' performances. Music shops in Dallas ordered a huge number of records,[7]and at one point the record was selling at a rate of 20,000 copies per day.
A Song Hits review of the song, published February 18 stated that "Perkins has come up with some wax here that has hit the national retail chart in almost record time. Interestingly enough, the disk has a measure of appeal for pop and r.&b. customers."[8]
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