Pentax K1000

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Pentax K1000

Without lens, showing the K mount and mirror.

Top view, showing the controls.
The Pentax K1000 (originally marked the Asahi Pentax K1000) is an interchangeable lens, 35 mm film, single-lens reflex (SLR) camera. It was manufactured by Asahi Optical Co., Ltd. (renamed PENTAX Corporation in 2002; acquired by Hoya Corporation in 2008) from 1976 to 1997, originally in Japan. It uses a horizontal travel, rubberized silk cloth focal plane shutter with a speed range of 1/1000 second to 1 second, along with Bulb and a flash X-sync of 1/60 second. It is 91.4 milimetres tall, 143 mm wide, and 48 mm deep, and weighs 620 grams. It was finished in black leather with chrome trim only. (Unlike most SLRs of its generation, there was no all black version.) However, the early production Pentax K1000 SE (see below) bodies had brown leather with chrome trim.
The introductory US list price for the K1000 body with SMC Pentax 55 mm f/2 lens was $299.50. In 1983, a K1000 with SMC Pentax-M 50 mm f/2 lens listed for $220; in 1988, the body only was $210, but $290 with SMC Pentax-A 50 mm f/2; in 1993, the body only was $263. The body plateaued at $315 in 1994 and remained there until discontinued. Note that SLRs usually sold for 30 to 40 percent below list price.
The K1000 is the simplest member of Asahi Optical's Pentax K-series SLRs, whose other members are the Pentax K2, KM, and KX, all introduced in 1975, and the K2 DMD (1976). All have the same basic body design, but with differing feature levels, internal electronics, and external controls and cosmetics.
The K1000's extraordinary longevity makes it a historically significant camera, despite its very ordinary design. Although the K1000 was already obsolete when it was first released, its inexpensive simplicity was a great virtue and earned it an unrivaled popularity as a basic but sturdy workhorse, particularly suited to educating inexperienced photographers. The Pentax K1000 eventually sold over three million units.
Contents
1 Features
2 Design History
3 References
4 External links
//
Features
The K1000 was an almost all metal, mechanically (springs, gears, levers) controlled, manual-focus SLR with manual exposure control. It was completely operable without batteries. It only needed batteries (one A76 or S76, or LR44 or SR44) for the light metering information system. This consisted of a center-the-needle exposure control system using a galvanometer needle pointer moving between vertically arranged +/ over/underexposure markers at the right side of the viewfinder to indicate the readings of the built-in full-scene averaging, cadmium sulfide (CdS) light meter versus the actual camera settings. The meter did not have a true on/off switch and the lens cap needed to be kept on the lens to prevent draining the battery when the K1000 was not in use.
The viewfinder also had a focusing screen with a microprism spot focusing aid. The Pentax K1000 SE substituted a split image rangefinder plus microprism collar focusing screen. The K1000 SE is otherwise identical to the regular K1000, except that the SE's from the first few years of production used brown leather instead of black.

A Pentax K1000 SE
The K1000 was often sold with a version of the SMC Pentax 50 mm f/2 lens. The K1000 accepted all manual focus lenses with the Pentax K bayonet mount, introduced in 1975 with the Pentax K-series SLRs. This included the K-A mount lenses introduced in 1983. Manual focus lenses made by Asahi Optical were the SMC Pentax, SMC Pentax-M and SMC Pentax-A types.
In addition, almost all lenses with the Pentax K-AF and K-AF2 autofocus lens mounts (introduced 1987 and 1991, respectively) would also work in manual focus mode. The exceptions are Pentax's newest SMC-Pentax FA J (1997) and SMC-Pentax DA (2004) types, which lack an aperture control ring. They will mount on the K1000, but have restricted functionality. Asahi Optical sold the Mount Adapter K to allow their older Takumar screw mount lenses (see below) to be used on K mount cameras (with limitations), but it is now a collector's item. In 2006, Pentax said that it had manufactured more than 24 million lenses over fifty years that could provide at least some functionality on the K1000. The number of independently manufactured Pentax-compatible lenses is also huge, but indeterminate.
Except for having an enormous variety of lenses with the popular K mount to choose from, the K1000 had fewer features compared to higher level SLRs of the mid 1970s. It had a slower flash synchronization speed of 1/60th second, a lower-quality sleeve-bushing equipped shutter and film advance mechanism, no self timer, no depth-of-field preview, no mirror lockup, no interchangeable focusing screens, no motor drive option, and no autoexposure.
The K1000 did accept any non-dedicated hot shoe mounted...(and so on)

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Antiques restoration

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Antiques restoration refers to either the practice of "restoration"- restoring an antique or work of art to a like-new condition (or what might be perceived by a viewer or potential buyer as like-new), or "conservation"- the practice of preserving an antique or work of art against further deterioration.
Contents
1 Restoration
2 Conservation
3 See also
4 References
//
Restoration
Restoration can be as simple as light cleaning to remove disfiguring dirt or grime, such as on the surface of a painting, or it may include near complete rebuilding or replacement, as might be the case with old automobiles or furniture. Often done in preparation for sale, or by a collector upon acquiring a new piece, the main goal of restoration is to "restore" the original appearance or functionality of a piece. There is a lot of difference between restoring and repairing. You may achieve functionality with a repair, but restoring an item properly is an art-form. Finishes might/may be stripped and redone, but it is essential that the original patination is retained, if possible. Stripping is only done as a last resort, especially with antique furniture. Engines might be rebuilt with new parts as necessary, or holes in a [silver] pot might/may be patched. While some of these practices are frowned on by many museums, scholars, and other experts, for many people there is little value in an antique that is unusable or not able to be displayed. Poor restoration is the bane of a trained restorer. Working on someone else's bad repair is the worst possible situation. Often with antique restoration, there are also other issues as well. For example, some collectors value "patina", or also want an item to still reflect an aesthetic that shows its age- in this respect, an "over restored" item can actually take away from its value than if nothing has been done to the item at all. Therefore, restoration should always be left to professionals who are sensitive to all of the issues- insuring that a piece retains or increases its value after restoration.

Antiques restoration in the National Museum in Warsaw, Poland
Restorers are often trained craftsperson's, such as furniture makers, mechanics, or metalsmiths. Some have years of experience in their fields, whereas others are self-taught volunteers. Many of the antique aircraft around the United States are restored by trained aircraft engineers assisted by volunteers, some of whom are men who flew those same aircraft years ago.
"French Polishing" was the industry standard in Europe during the 18th and 19th centuries, pushed aside by the efficient advantage of modern methods in the Industrial Revolution. Lacquers and spray systems replaced the original French polish finish, which is impractical for mass furniture production due to the labor-intensive process of application. As the desire for antiques was not idle, neither was the need for them to be appropriately restored; thus, the trade has been kept alive by a thread.
Conservation
In contrast, conservation typically aims to preserve the remaining material as being worthy or valuable on its own without necessarily being functional or looking new. There are several criteria for what work is necessary and how far to take any work performed. Chiefly, is the object (book, painting, car, statue, etc.) actively deteriorating? Slowing or stopping deterioration and eliminating or mitigating the root cause is the first task of the conservator. To this end, conservators are usually trained in the science of materials and chemistry, as well as art history, archaeology, and other disciplines related to their areas of expertise.
See also
Category:Conservation materials
References
Categories: Antiques
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Kinder Bueno Soy Milk Powder

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Kinder Bueno
Kinder Bueno is a chocolate bar from Ferrero. It is a hazelnut cream filled wafer with a chocolate covering. Kinder Bueno originally comes from Italy, where it was first released in 1990. It became available in Latin America (Brazil, Argentina and Mexico), Malaysia, Israel and Greece in the mid-1990s, in Germany and France starting in 1999, and has been common in Canada and the United Kingdom since 2004. A few stores in the United States carry it, but because of its rarity, it can be very expensive. Kinder Bueno is only sold in packs of two and six.
On the 20th of August 2008 Kinder released a new sort of Kinder Bueno. Kinder Bueno White is available in The UK, Turkey, Spain, Portugal, Italy, France, Lithuania, Croatia, Czech Republic, Slovenia, Republic of Ireland, Poland, Greece, Hungary, Germany, Brazil, Belgium, the Netherlands, Taiwan, Singapore, Finland, Hong Kong, Australia, and New Zealand.
In 2007, Kinder Bueno was relaunched aimed at an adolescent market with a new series of adverts "a little bit of what you fancy" aired in the UK and Ireland.
Kinder is the German word for "children". Bueno is the Spanish word for "good".
Contents
1 Ingredients:
2 Trivia
3 References
4 External links
//
Ingredients:
milk chocolate 31.5% (sugar, cocoa butter, cocoa mass, skimmed milk powder, concentrated butter, emulsifier: soy lecithin, vanillin), sugar, vegetable oil, hazelnuts(10.8%), wheat flour, skimmed milk powder, whole milk powder, chocolate, fat-reduced cocoa, emuislifier (soy lecithin) raising agents (sodium hydogen carbonate,ammonium carbonate), salt, vanillin. Total milk components 19.5%.
[1]
Trivia
when turned upside-down the word bueno turns into ouanq, which when pronounced phonetically, sounds like the word wank, many think this could be a hidden joke from the designers of the wrapper, it is not known which definition of wank it refers to but the small splash of white liquid above the word would suggest the slang term for masturbation.
References
^ Taken from a Kinder Bueno
External links
CA Kinder Bueno Website
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Kusatsu, Gunma

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Kusatsu???
Kusatsu's location in Gunma, Japan.
Location
Country
Japan
Region
Kant?
Prefecture
Gunma
District
Agatsuma
Physical characteristics
Area
49.74km2 (19.20sqmi)
Population (as of 2008)
Total
7,419
Density
149/km2 (386/sqmi)
Location
3637?N 13836?E? / ?36.617鐧� 138.6鐧�? / 36.617; 138.6
Symbols
Flower
Rhododendron
Emblem of Kusatsu
Kusatsu Government Office
Mayor
Takashi Nakazawa
Address
28 ?aza Kusastsu, Kusatsu-machi, Agatsuma-gun, Gunma-ken377-1792
Phone number
0279-88-0001
Official website: Town of Kusatsu

Kusatsu
Kusatsu (??? ,Kusatsu-machi?) is a small town in Agatsuma District in Gunma Prefecture, Japan. Kusatsu is situated about 1200 meters above sea level. The active volcano Mount Shirane (2160 m high) and the inactive Mount Tengu (1385 m high) and Mount Motoshirane (2171 m high) are located west of Kusatsu.
Contents
1 Climate
2 Population, economy, and infrastructure
3 Onsen
4 Sister cities
5 History
5.1 Yayoi period
5.2 Kamakura period
5.3 Sengoku period
5.4 Edo period
5.5 Meiji period
5.6 From Taish? to Heisei
6 Sights and events
6.1 Yubatake
6.2 Netsu no yu
6.3 The B?lz museum
6.4 Onsen
6.5 Flowers
6.6 Festivals and events
6.7 Souvenirs
6.8 Lakes and waterfalls
6.9 The ski area
7 See also
8 External links
9 Sources
//
Climate
Due to the altitude Kusatsu's annual average temperature is 7 鐧�, with a maximum temperature of around 30 鐧� during summer and a minimum temperature of -14 鐧� in winter. The main rainy season is from June to September.
Population, economy, and infrastructure
Kusatsu has a population of 7419, which is slowly decreasing. The town's main income is tourism (about 90% of the working population is employed in the tertiary sector), with very little industry and almost no agriculture. Kusatsu's infrastructure is well developed: Besides road 292, there are bus connections from Naganohara-Kusatsuguchi station, Shinjuku, Tokyo, and other areas. During the winter season the streets are kept free of snow using Onsen water.
Onsen
Kusatsu is one of the most popular hot springs resorts in Japan and regularly achieves high rankings in Japan-wide surveys.
There are about 100 Onsen in Kusatsu with a total amount of about 34,000 liters water per minute pouring out of the ground. The water is sulfurous and acid. The hot springs are said to help cure the following ailments: arthralgia, stiff shoulders, paralysis, hardenings, bruises, sprains, chronic indigestion, hemorrhoids, chills, arteriosclerosis, burns, chronic gynecological disorders.
The water from the Onsen is used not only for bathing but also for heating of the city's primary and secondary schools, the municipal welfare center, the streets during winter and many households, as well as for the municipal swimming pool.
Sister cities
Kusatsu has numerous sister cities in Japan and around the world. In Japan these are mostly Onsen towns or seaside resorts such as:
Hayama, Kanagawa
Noboribetsu, Hokkaid?
Gero, Gifu
Arima Onsen
Another sister city is Kusatsu, Shiga.
Outside Japan, Kusatsu has the following sister cities:
Bietigheim-Bissingen, Germany. The town in which Kusatsu's benefactor Erwin B?lz was born. The contacts with this sister town are the most intensive. There is an annual student exchange.
Neustift, Austria. Winter sports resort town. Contact established through the Austrian national ski team.
Karlovy Vary (Karlsbad, Carlsbad), Czech Republic. Spa resort town, was compared with Kusatsu by B?lz.
Snowy River, Australia. This town is located on the same latitude as Kusatsu, only in the southern hemisphere.
Kusatsu is member of the "Romantic road Japan" (?????????? ,Nihon romanchikku kaid??) from Komoro, Nagano to Nikk?, Tochigi. This road is a "partner road" to the German romantic road.
History
Yayoi period
The legendary origin of Kusatsu goes back to the second century during the Yayoi period. According to the legend, either Yamato Takeru or Yamabushi discovered the hot springs around Kusatsu. There is no historical evidence for either claim, however. But there is evidence that Yamato Takeru named the towns Tsumagoi and Agatsuma after his wife ("tsuma" means "wife" in Japanese). Since both towns are near Kusatsu, we do know that people at least settled near Kusatsu at that time.
Kamakura period
Up to the 12th century there is no specific record of Kusatsu. Local lore recounts that in 1193, Minamoto Yoritomo came to Kusatsu in pursuit of fleeing...(and so on)

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Category:Organic gardening

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The main article for this category is Organic gardening.
See Category:Organic farming for organic horticulture and agriculture.
Subcategories
This category has only the following subcategory.
F
[+] Organic food (0)
Pages in category "Organic gardening"
The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes (learn more).
B
Biological pest control
David Blume
C
Centre for Alternative Technology
Comfrey
Companion planting
List of companion plants
Compost
Composting
Container composting
Shewell Cooper
Corn gluten meal
D
Dynamic accumulator
E
Ecological pesticides
F
Folkewall
Forest gardening
Fruit tree propagation
Masanobu Fukuoka
G
Garden Organic
G cont.
German mound
Grasscycling
H
Robert Hart (horticulturist)
Emilia Hazelip
David Holmgren
Humanure
I
Insect trap
Insecticidal soap
Interbay P-Patch
K
Kitchen garden
L
List of organic gardening and farming topics
List of pest-regulating plants
List of repellent plants
M
Bill Mollison
Monastery of Mary, Mother of Grace
Mulch
N
Nectar source
No-dig gardening
O
Organic lawn management
O cont.
Organop楂噄cos
P
Permaculture
Plant ally
R
Robert Rodale
S
Seed ball
Sheet composting
Sheet mulching
Society for Organic Urban Land Care
Soil life
Soil pH
Spent mushroom compost
Square foot gardening
T
Three Sisters (agriculture)
U
Urban Harvest
Uses of compost
V
Vegan organic gardening
Vermicompost
W
WWOOF
White oil
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Metalhead

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For the playable character in the video game Guitar Hero III: Legends of Rock, see Guitar Hero III: Legends of Rock.
"Headbanger" redirects here. For the figure skating lift, see Figure skating lifts#Illegal positions.

Its neutrality is disputed. Tagged since March 2008.
Its factual accuracy is disputed. Tagged since March 2008.

Metalhead is a popular term for a devoted fan of heavy metal music.. Heavy metal fans exist in many countries beyond the United Kingdom and United States, where it first developed, especially in Japan, Scandinavia and Brazil and even Mexico, Central America, and the Caribbean. Heavy metal fans have created a strongly masculine 鎻簒clusionary youth community whose core audience in the U.S. and the UK is 鎼榟ite, male, lower class youth [1] In continental Europe metal culture appeals to a more diverse audience, often spanning into the 30s and 40s and more frequently with a middle-class background and a higher cultural profile. However, the metal culture expands across the globe and is not limited to this. Metalheads affirm their membership in the subculture or scene by attending metal concerts, buying albums, and most recently, by contributing to metal websites. [2]
The long hair, leather jackets, and band patches of heavy metal fashion help to encourage a sense of identification within the subculture. [3] Like the music at its cultural core, these fashions have changed over the decades, from tight blue jeans, motorcycle boots and black t-shirts in the late 1970s and early 1980s to black jeans and army fatigue pants, military-style coats, and shaven or short-clipped hairstyles in the 1990s and 2000s. However, not all metal fans are 鎼梚sible members of the heavy metal subculture; some enthusiasts enjoy the music without adopting the metal "look" or some people may choose just to go for the long hair look.
Contents
1 Subculture
1.1 Authenticity
2 Social aspects
3 Attire
4 International variations
5 References
//
Subculture
Heavy metal fans have created a "subculture of alienation" with its own standards for achieving authenticity within the group.[4] Deena Weinstein鎶� book Heavy Metal: The Music And Its Culture argues that heavy metal 鎼甴as persisted far longer than most genres of rock music due to the growth of an intense 鎼抲bculture which identified with the music. Metal fans formed an 鎻簒clusionary youth community which was distinctive and marginalized from the mainstream society [5]. The heavy metal scene developed a strongly masculine 鎻穙mmunity with shared values, norms, and behaviors. A 鎻穙de of authenticity is central to the heavy metal subculture; this code requires bands to have a 鎻筰sinterest in commercial appeal and radio hits and a refusal to 鎼抏ll out [6]. The metal code also includes 鎼妏position to established authority, and separateness from the rest of society. Fans expect that the metal 鎼畍ocation [for performers] includes total devotion to the music and deep loyalty to the youth subculture that grew up around it鍘�; a metal performer must be an 鎼僤ealized representative of the subculture [7].
While the audience for metal is mainly 鎼榟ite, male, lower/middle class youth , this group is 鎼畉olerant of those outside its core demographic base who follow its codes of dress, appearance, and behavior .[8] The activities in the metal subculture include the ritual of attending concerts, buying albums, and most recently, contributing to metal websites. Attending concerts affirms the solidarity of the subculture, as it is one of the ritual activities by which metalheads celebrate their music. [9] Metal magazines help the members of the subculture to connect, find information and evaluations of bands and albums, and 鎻簒press their solidarity [10]. The long hair, leather jackets, and band patches of heavy metal fashion help to encourage a sense of identification within the subculture. However, Weinstein notes that not all metal fans are 鎼梚sible members of the heavy metal subculture.
Authenticity
In the musical subcultures of heavy metal and punk, the word "poseur" (or "poser") is a pejorative term used to describe "a person who habitually pretends to be something he is not."[11] The term is used to refer to a person who adopts the dress, speech, and/or mannerisms of a group or subculture, generally for attaining acceptability within the group, yet who is deemed to not share or understand the values or philosophy of the subculture. In a 1993 profile of heavy metal fans' "subculture of alienation", the author noted that the scene classified some members as "poseurs," that is, heavy metal performers or fans who pretended to be part of the subculture, but who were deemed to lack authenticity and sincerity.[12] Jeffrey Arnett's 1996 book Metalheads: Heavy Metal Music and Adolescent Alienation argues that the heavy metal subculture...(and so on)

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Louisville Ladder

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Louisville Ladder is one of the largest American manufacturers of ladders.
Founded in 1946 and headquartered in Louisville, Kentucky, Louisville Ladder is owned by Verzatec and is the result of the gradual merger several ladder manufacturers Louisville, Davidson and Cuprum.
The company manufactures aluminum and fiberglass ladders (including extension ladders, articulated ladders, and other variations) and stepladders, aluminum and wood scaffolds, attic ladders, and accessories. All products meet applicable ANSI codes.
External links
Louisville Ladder official site
This U.S. manufacturing company-related article is a stub. You can help Wikipedia by expanding it.
This Louisville-related article is a stub. You can help Wikipedia by expanding it.
Categories: United States manufacturing company stubs | Louisville stubs | Companies based in Louisville, Kentucky | Companies established in 1946
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